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2010
All posts from January, 2010

Music pervades our world, yet the men and women who create the sounds we hear are often unsung. Composers Now is a weeklong festival presented collaboratively by a number of organizations citywide offering concerts, lectures, conversations, and other activities that highlight the contribution composers make to the cultural fabric of our lives. Composers Now puts a public face on the vitality, diversity, and innovations that composers bring to our communities.

Composers Now: The origins

Composers Now was born shortly after the 2008 collapse on Wall Street when composers Tania León and I were having dinner, and the conversation veered from the recession to Cuba after Castro to the show at the Met to Michelle Obama’s hairstyle to the challenges that each composer faces when he or she is alone, facing the empty manuscript page, and wondering, “What am I going to say in this piece??” We talked about how invisible composers are in the societal and cultural fabric as compared to writers and visual artists.

Composers are the invisible members of the musical ecosystem. We see the performers who play the music, but we almost never see, talk to, and get to know the people who created the music being performed, the people whose stories are being told. Most of us never meet the composer who lives next door to us, sits next to us on the subway, stands ahead of us on the line at the deli, or works out with us at the gym.

Tania said that composers need what the poets have: a whole month and a Poet Laureate. People know that poets write words that touch us. Nobody thinks about composers; they just think the music is there without thinking about where it came from. We need to do something about this. Read More »

Opera’s Unlikely Embrace of the Telecast

By Symphony Space
Published on January 19, 2010

The following article ran in The New York Times on Jan 13, 2010. Click here to see the 2010 season of Opera in HD screenings.

The Metropolitan Opera has scant reputation as a cutting-edge institution, but it knows how to reap the benefits of technology. Since 1930 its Saturday broadcasts have converted untold numbers of listeners into rabid opera fans. And in 1977 a landmark telecast of “La Bohème” initiated PBS’s “Live from the Met” series.

When four years ago the Met’s new general manager Peter Gelb announced plans to transmit opera performances to movie theaters, many were skeptical. Hadn’t Rudolf Bing tried that back in the 1950s? But the idea caught on big time and sent opera companies around the world scrambling to get their product into cinemas.

Many European opera companies turned to Emerging Pictures, a New York-based company that was founded in 2003 to distribute high density transmissions of independent films and special events, including rock concerts, dance and even opera. The company had worked with the Met during the latter’s first season of video transmissions, but its network of venues consisted mainly of arts-oriented theaters and institutions. So, when the Met, having decided to cultivate traditional multiplexes, chose NCM Fathom, a division of National CeneMedia, as its exclusive distributor, Emerging Pictures turned to Europe.
Read More »

I have now lived in New York for about 7 years and pride myself on being an avid theater attendee, but it was not until I joined the Box Office team at Symphony Space that I was introduced to an organization that provided such a wide variety of programs. Many of the programs, of course, are Symphony Space-produced and have a well-established reputation of being high-quality entertainment or very provocative and intellectual programs, such as Selected Shorts and Thalia Book Club, or my personal favorite, The Thalia Follies! Read More »



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