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2009
All posts from 2009
With Igor Rogaliov

With Igor Rogaliov

Monday the 31st of August was, finally, a quieter day, with but two formal meetings, the first with Boris Filanovsky, a mid-career composer and leader in Pro Arte; he is also the center of a group of composers who go by STRESS (Structural Resistance Group), whose mission is, as Boris put it, “to overcome stereotypes and work with problems of perception.” As well as his life as a composer, Boris is also a cultural journalist with regular columns in a print journal and a webzine.  It was interesting to meet with someone outside of the great conservatory tradition, although of course Boris was trained at the Conservatory. My sense is that he and his colleagues in STRESS represent the “downtown elite” and the new wave of post-Shostakovich era composers.
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Petrodvorets in the rain

Petrodvorets in the rain

The time here is flying by as every day is full of activities, people, and sights. A group of the fellows went to the Theater and Music Museums with Anna Shulgat serving as our excellent guide. A native of St. Petersburg, she recently completed a graduate degree at SUNY Stony Brook in dramatic arts, and so is both fluent in English and incredibly knowledgeable. Read More »

Mariinsky Theatre

  Mariinsky Theatre

An incredible day. Early morning swim and sauna followed by another sumptuous breakfast with my colleagues, then a walk through town, past the Mariinsky Theater to the Rimsky-Korsakov Conservatory of Music where I met with four composers who presented their work in a master class-workshop setting; I heard four distinct styles of music and was quite impressed with two of the four. One of these two, in addition to a large work for soprano and orchestra that had recently won an international prize in Italy, presented a short animated film with original music that was clever and absorbing. Read More »

After arriving in St. Petersburg yesterday afternoon, after connecting through Helsinki, with its clean, modern airport, I am beginning to see the glories of St. Petersburg. The city, like Venice and Amsterdam, is a city of canals and bridges, and its architectural diversity–reflecting many centuries of urban development and a mix of cultures–is truly spectacular, and, as I am discovering, one that can be conquered easily on foot. Being able to walk a city is to be able to know it, and I am going to plan my time here so as to allow for walking from one meeting to another.
I am here on a Cultural Fellowship sponsored by the Likhachev Foundation to research Russian music from the Revolution to the fall of the Berlin Wall with the hope of discovering interesting music to present at Symphony Space’s Wall to Wall Behind the Wall on May 15th. While the annual music marathon will be replete with some of the great masters from the former Soviet Union and other communist countries–including, of course, Shostakovich, Schnittke, Bartok, Ligeti, Penderecki, and more–I want to bring to New Yorkers music not yet known in the U.S.
It is truly an honor to have been awarded this fellowship, and I, along with the other fellows, are walking around in a state of disbelief. Our hotel is really nice, our host, Elena Vitenberg, the Fellowship Program’s Coordinator, is totally organized and focused and filled with positive energy, and our individual programs have been well-designed to maximize our time here.
This is the second year of the Likhachev Foundation’s Cultural Fellowship program, designed to foment cultural awareness and appreciation of Russian culture in America. Projects range from museum to literary to scientific, and now, with Wall to Wall Behind the Wall, music.
So, after arriving yesterday afternoon, most of my time was spent arranging for an international mobile phone and to get wifi for my laptop. Then, the welcome dinner in the banquet hall of the hotel, with panoramic views of the city. Opening remarks by the Likahachev Foundation’s Executive Director, Alexander Kobak, and then a welcome by the well-groomed hotel manager in her spike heels and close-fitting power suit, proud to be hosting our group, were followed by vodka and champagne toasts and a delicious meal. A briefing to review our schedule of meetings, and then the weary travelers headed off to bed.
This morning I wakened very early but used the time to write some notes to myself in preparation for the day’s meetings before heading off to the spa for an early swim and sauna before breakfast. The morning meal was as I had expected: tables of food laid out regally that included fresh fruit, fruit salad, cereals, yogurt, sweet pastries, brown bread, white bread, eggs, cheeses, ham and other meats, tomato and cucumber salad, and more tables loaded with food that I never even bothered to investigate.
A mini-bus took us all to the Foundation offices where we were given an hour and a half history of Likhachev and a quick review of 20th century Russian political history. From there, lunch, and then we split off into our first project-related meetings.
Today I met with musicologist and critic Olga Manulkina who is writing a book on American music from Ives to Adams, but who knows the whole history of Russian music and walked me through the late 19th century to today, helping me to organize my research. With her was Katya Puzankova, the music coordinator of St. Petersburg’s contemporary arts foundation, Pro Arte. After our meeting, they left me at one of the major canals and I walked the few miles back to the hotel, getting a sense of the elegant and beautifully laid out city.

St. Petersburg 3

After arriving in St. Petersburg yesterday afternoon, after connecting through Helsinki, with its clean, modern airport, I am beginning to see the glories of St. Petersburg. The city, like Venice and Amsterdam, is a city of canals and bridges, and its architectural diversity–reflecting many centuries of urban development and a mix of cultures–is truly spectacular, and, as I am discovering, one that can be conquered easily on foot. Being able to walk a city is to be able to know it, and I am going to plan my time here so as to allow for walking from one meeting to another.
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For the last day of the Thalia Kids’ Book Club Camp, we had a visit from Dave Roman and Raina Telgemeier, two cartoonists who not only collaborate on projects together but are also married! Raina is the author of the upcoming graphic novel Smile, which comes out in February 2010. Both Raina and Dave, however, have been artists and collaborators for many different cartoons and graphic novels, and shared their experiences and artistic expertise with us today.

Raina and Dave talk about making comics

Raina and Dave talk about making comics

Dave and Raina explained that they both have artistic backgrounds, as Dave majored in cartooning in college, and Raina studied illustration. Among the things they share in common is, of course, the love for comics, not to mention their talent for drawing! Dave and Raina told us that they first started making graphic novels after going to comic conventions and asking their favorite artists and authors questions about making books. Since then, they’ve worked with many different artists, as well as each other, to create a range of graphic novels, like X-Men: Misfits, the Flight anthology, and Agnes Quill: An Anthology of Mystery.

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Day four of the TKBC Camp’s second week started with a book-making project led by Amber, an artist from the Center for Book Arts, a center which specializes in handmade book binding and printing methods. She led us through the making of two small books, each with a different kind of binding. It turns out that our campers are not just readers and writers, but are also talented at crafts! We put together some great books to put our newest stories, poems, and illustrations in, and had a lot of fun creating them as well.

Amber showing campers a step in the book-making process

Amber showing campers a step in the book-making process

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A pamphlet tour guide of Greenwich Village made especially for TKBC campers by Kirsten Miller

A pamphlet tour guide of Greenwich Village that Kirsten Miller made especially for TKBC campers

We kicked off the day today with a special walking tour of Greenwich Village, lead by Kirsten Miller, author of the Kiki Strike: The Shadow City and Kiki Strike: The Empress’s Tomb. Her series is about a group of girls who call themselves the “Irregulars,” and explore hidden passageways and tunnels that are deep under the pavements of New York City. This morning, Kirsten took the Thalia Kids’ Book Club campers all over Greenwich Village to see, for ourselves, some of the hidden secrets that remain from New York’s past and inspired the story of Kiki Strike.

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TKBC Campers with Gail Carson Levine

TKBC Campers with Gail Carson Levine

Today our guest was Gail Carson Levine, author of Dave at Night and Writing Magic, as well as the Newbery Medal prize winner Ella Enchanted, which was adapted into a film in 2004. She talked to us about Dave at Night, a story about a boy living in a New York City orphanage in the 1920s, during the Harlem Renaissance. Gail told us that the story is loosely based on her father’s life, inspired by his own experiences as an orphan at the same institution named in the novel until he was sixteen years old. In order to accurately portray the time and setting of Dave at Night, Gail explained, she had to do a lot of research about what life was like in the 1920s and in the orphanage. She collected information from the library, the Studio Museum in Harlem, and the Tenement Museum, as well as living sources – men who had been children living in the orphanage during the Harlem Renaissance. 

 

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Week 2 of the Thalia Kids’ Book Club Camp started today with the arrival of a brand new batch of campers, as well as a few familiar faces of those who were here last week. After some quick introductions and a warm up, we had our first visit of the week with Michael Winerip, author of Adam Canfield of the Slash, the first of three novels about a student investigative reporter who uncovers major stories for his school’s newspaper, The Slash.

Campers' copies of "Adam Canfield of The Slash"

Campers' copies of Adam Canfield of the Slash

We learned from Michael that Adam Canfield is his first published book, and that he is actually a writer and reporter for the New York Times. He started writing for publications in school, where he wrote for his high school newspaper and college newspaper before becoming a reporter for the Times. Then, Michael told us, a few years ago, he turned down an offer to be a foreign correspondent – and to go to places all over the world – to write a kid’s book! That’s when he started working on Adam Canfield.

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The last day of this week’s Book Club Camp began with a trip to Grand Central Terminal to meet Katherine Marsh, author of The Night Tourist - a story about a boy who discovers a secret entrance to New York City’s underworld of ghosts in Grand Central, nine levels below the ground. Taking us on a tour of some of the places mentioned in her book, Katherine promptly whisked us to the whispering gallery, which is not only featured in The Night Tourist, but is also a popular tourist spot in the terminal. The whispering gallery, which is part of the terminal’s corridors, is like a dome supported by four columns, and two people standing at opposing columns, facing the marble, can hear each other speaking. We all tried it, and it was incredible! When someone at another column spoke into it, it really sounded like they were standing right next to you and whispering in your ear.

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