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2009
All posts from November, 2009

This is the third in a three-part series of entries. Read part one here, and part two here.

Trip #2: Whitefish, Montana

A few days of Thalia Follies rehearsal in NYC and then it was back on the road, or rather the airways, this time to be the guest of Montana Public Radio.  Our earlier Montana trips in past seasons have taken us to Missoula, the university town, and Helena, the state capital.  This time the plan was to have us do Billings, preceded by Whitefish, but the Billings people ran out of funding for now, so it was a long trip to read short stories in a tiny town on the edge of Glacier National Park in the very northwest corner of the state of Montana  (this was the REAL Upper West Side!).  In my boorish Manhattan provincialism I had joked that I had never heard of Whitefish, thought it was only an offering adjacent to the creamed pickled herring in the Zabars’ showcase, but I was to learn that it is a stunningly beautiful ski resort in winter, lake resort in summer, and a place that is proud of its lovely theatre, it’s historic Amtrak station of the Northern Pacific Railroad, its beautiful library, and its impressive literary quarterly, The Whitefish Review.  Didn’t I tell you travel was broadening? Read More »

At the private exhibition viewing at The Met

At the private exhibition viewing at The Met

When I began my tenure as a Symphony Space intern two months ago, one event jumped out as I studied the upcoming months’ schedules: Selected Shorts’ Fiction and Photography: Robert Frank at The Metropolitan Museum of Art. After all, photography was one of my concentrations in college, and no one makes it through one photo class (let alone eight) without learning about Frank and his series “The Americans.”

Wednesday night, we braved the packed crosstown bus and made our way to the Metropolitan Museum of Art for a private viewing of the exhibit. The indelible images I’d seen in books or accompanying articles, the noteworthy photographs I clearly remembered from various professors’ slideshows, and the pictures so often imitated that seeing the originals came as a shock: they were all there. I later learned (from Met Photography curator Jeff Rosenheim’s opening remarks back at Symphony Space) that this was the first time in the fifty years since Frank made “The Americans” that he’d allowed all 83 images to be displayed in sequence. Even the extras were interesting: Frank’s slipshod contact sheets and a wall of work-print collages (ah, so that’s why my professors always told me to start with work-prints). Read More »

This is the second in a three-part series of entries. Read part one here.

The next morning, at crack of dawn, I make the drive back down through the desert to Albuquerque, a drive that is beautiful in a different way in the morning sunlight.  I return the rental car and embark on my trip to Austin, Texas (with a change of planes in Dallas).  Now, changing planes in the huge Dallas airport is notorious among air travelers. Legend has it that a convicted murderer, being extradited from New York City to face lethal injection in Oklahoma, is reported to have said, “Even to go to Hell you have to change planes in Dallas!”  But this time I have little trouble making it to the short flight from Big D to Austin. Read More »

“Oh give me land, lots of land, under starry skies above
Don’t Fence Me In…”

This was one of the tunes incorporated in the post-intermission interactive audience-participation Singalong Quiz that was part of each stop on our recently completed tour of Western and Southwestern cities where Selected Shorts is popular on the local public radio stations, and where fans are delighted to attend a live performance of their favorite radio show.  Let me tell you a little about our touring visits to Santa Fe, New Mexico; Austin and San Antonio, Texas; Whitefish, Montana; and Salt Lake City, Utah.

Now, why, you may ask, is a theatre located on Broadway and 95th Street in Manhattan sending its actors across the wide Missouri and the Rocky Mountains to read short stories to people who can just as easily hear them on the radio—-and do!–? Well, for several reasons: it’s a way of earning a little money to help stave off the budget deficit at 95th Street and Broadway; it’s a way of showing the Symphony Space flag in distant regions and winning new friends; it’s a way of enjoying face-to-face contact with the thousands of radio fans who flock to our touring venues—often driving many many miles—to see what their favorite radio show looks like in person; but mostly, it’s a way of bringing our literary creations to a wide American audience.
Read More »



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