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2008
All posts from 2008

Happy holiday season, everyone.  In between my Symphony Space duties, I have been moonlighting over the past couple of weeks, preparing for my Lincoln Center singing and dancing debut.  Let me tell you about it.

Lincoln Center?  You’ve heard of it, I’m sure.  Like Symphony Space, it’s an esteemed cultural center, but it’s thirty blocks downtown and a lot more expensive.  You’ll recognize it as you go past it on the M104 bus because it’s the place that’s always under reconstruction, with scaffolding and big plywood boards colorfully masking the construction site.  It’s remarkable—since the first of its buildings opened in 1962, most of the buildings in the complex have been gutted and re-built (and re-named) at least once, and in some cases three or four times.  I often wish the rest of us nonprofit theatres had the money that’s been spent and is being spent re-building Lincoln Center.

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Wow, what a ride it has been for all Americans, these weeks leading up to Election Day—and especially for those few Americans silly enough to be attempting political cabaret! Who has had time to blog?

My Thalia Follies colleagues and I enjoyed a smashing success with the first of this season’s three Follies productions, entitled “At Last—an Election!” All four scheduled performances in the Thalia were sold out, so we scheduled an extra performance, and that sold out as well! Then, for the first time ever, we took the Follies on tour up to the lovely Mahaiwe Theatre in Great Barrington, Massachusetts, a theatre now collaborating with Symphony Space on a variety of projects, including Selected Shorts.

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Happy autumnal equinox, blog readers!

Now, after Labor Day, the opening of school, the start of college semesters, the political conventions, the annual collapse of the Yankees and Mets, and the arrival in the mail of your Symphony Space season brochure—that handsome 48-page volume of cultural treats that will last you into NEXT summer—we can finally say with certainty that the endless summer is over, and fall is falling.

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Happy summer, blog readers. Greetings from the dunes of Cape Cod, where I am recuperating from Symphony Space’s 30th Anniversary Season and preparing for Season #31, which doesn’t have to have any special milestone celebrations, just the usual sustained artistic excellence!

But I don’t want to speak yet about the exciting plans for the coming season in literature, music, film, dance, and all the rest. There’ll be time for that later.

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How I Spent My Memorial Day Weekend: Well, I did a couple of normal things for a few hours of the three-day holiday weekend, like visiting friends in the country, picking up my car from its winter storage for summertime use, and attending the festivities at the newly-refurbished Soldiers and Sailors Monument near my home on Riverside Drive. And I did do a bit of resting up after a week that included a 12-hour Bach marathon, a Selected Shorts booking up in Westport, the celebratory closing night of our 24th season of Shorts here at home, the final lengthy session of our All Write! adult literacy program, and a little bit of fund-raising, new Board Member-recruiting, and copy editing for next season’s brochure.

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FIVE different Selected Shorts programs on two coasts within six days! Whew!

When the Jet Blue red-eye overnight flight from Long Beach, California deposited a bleary, sleepy Shorts team of Sheffer and Minton at JFK airport on Monday morning after a week in L.A. rehearsing and presenting three different story programs on Friday, Saturday, and Sunday, focusing on mysteries, detective tales, and violence and mayhem at our 17th annual season of literary programs at the beautiful J.Paul Getty Museum atop a high hill in Bel Air, it was only to plunge us immediately into preparation for Tuesday morning’s climactic All Write! adult literacy program event, with readings of dozens and dozens of stories and poems by this year’s students, and then to take a quick breath and prepare for last night’s next-to-the-last Shorts program of the Symphony Space series, our Eudora Welty tribute, which will also be broadcast in its entirety on Misssissippi Public Radio, thereby adding the Gulf Coast to this Pacific and Atlantic week. (If the previous long sentence leaves you feeling winded, it’s my deliberate attempt to share with you the way I feel.)

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“You haven’t blogged in a while, Isaiah”

“I know. I’ve been busy.”

“People like reading your blog. Thousands of hits. Can’t you find a little time—“

“Okay, okay, but what shall I blog about?”

“Blog about being busy. I’m sure they’ll find it interesting.”

“Well, maybe they will. Okay, here goes:”

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Dear Friends,

You’ll never guess what I’ve been doing for a good part of yesterday and today. Groveling. Yes, groveling and humbly apologizing for something I DIDN’T DO!

Those of you who listen to Selected Shorts on the radio know that we follow the practice of bleeping out any words that may be considered “obscene” or “inappropriate” or foul. Well, we don’t actually replace their words with annoying BLEEPS! We have learned to be much more subtle, and our mix engineers have developed a high level of skill at “dropping out” such words so that you don’t hear a distressing bleep, but just a little skip in the rhythm of the reader’s sentence.

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Wow! If you weren’t at the 30th Anniversary Star Studded Birthday Bash, oh, you shoulda been there! It turned out to be a memorable night, and a lot of fun! Every single seat right up to the back of the balcony was filled with participating artists, present and former Board and Staff members, old friends, elected officials, sponsors and supporters, and ticket buyers attracted by the dazzling list of participants. At the very end, tears streamed down many faces on and off stage, including mine, as all the artists, and many audience members, joined in the anthem to the tune of “Somewhere” from West Side Story…“You’re a home for us, artistic home for us, thirty years and you’re growing still, we’ve all loved you and always will, thirty more years—right here!!”

The logistics of the performance itself were always uncertain. Could we get each of the 46 performance slots on and off stage swiftly without the whole event shlepping on into the wee hours? But everyone arrived at the red carpet outside the theatre at 6:15, as instructed, and for just one hour, until the doors had to open for the audience at 7:30, the whole procedure had to be organized—who would sit where out in the house, when each group would be summoned backstage through the house right curtains by our fearless Project Coordinator, Allegra Vecchio, and my Assistant, Mac Barrett, and delivered over to the master stage manager Matthew Oberstein, our Assistant Producer,   and sent by him and Technical Director Denis Heron to their assigned entrance points and microphones, while our Production Manager Richard Koch called the light cues. And I did voice-over intros on the stage left microphone.

But once the show started, it all ran smoothly and on schedule, and I was very proud of all our staff, including Ed Budz and the house managers who accomplished the challenging task of getting everyone back into their seats at the end of the intermission with a glass of champagne in their hands for the toast offered by Allan Miller and me to the artists and everyone else who made the evening, and the three decades of Symphony Space, possible. A friend of mine had one complaint: “It’s hard to applaud, with a champagne glass in your hand.”

The two and a half hours of performances fulfilled my hope of showing off the very broad range of Symphony Space’s cultural offerings, from the kickoff of the huge and spectacular Taikoza Japanese Drums, part of our CAP education program, to the great cellist Timothy Eddy’s unaccompanied Bach’s Cello Suite or Eugenia Zukerman playing a contemporary Chinese composer’s flute piece; from five Selected Shorts micro-fictions read by five stars of the series to Theodore Bikel coming from Los Angeles to sing “If I Were A Rich Man” in Yiddish! to all potential donors; from great poetry read by the likes of Marian Seldes, Estelle Parsons, Joanna Gleason, and Roy Blount, Jr, and from comedy turns by Stiller and Meara and Calvin Trillin to baseball haiku read by Stephen Lang and stirring vocal solos by Donna Murphy, James Naughton, Liz Callaway, Melissa Errico, and KT Sullivan, and choral works performed by such great groups as Hudson Shad and The Western Wind; from a Duke Ellington dance and song piece to Don Byron playing Bach on the clarinet, not to mention the 28 stars who took part in seven historical “Newsflashes” about Symphony Space’s past, present, and future! All this and much, much more. You hadda be there.

But if you were not, we will soon have an audio sampling right here on this website, and no doubt some bits of the video coverage will make their way online here before too long.

The morning after the Birthday Bash, we were already busy on what’s coming up next. For me, that’s the January 28th Thalia Follies on the subject of the tightening and perhaps frightening Presidential race. I hope you’ll come to the 6:30 or 8:30 show to hear songs about the front-runners and the big issues, as well as advance drafts of Mike Bloomberg’s “Big Announcement” and Mike Huckabee’s planned Inaugural Address. See you there.



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